Date

12-17-2025

Document Type

Thesis

Abstract

Artificial intelligence (AI) has been deeply integrated into our modern lives; from social media algorithms, to email summaries, to software that will write your essays, and even tools to photoshop relatives out of family photos. AI software is trained on countless data points. Famous artwork, philosophical texts, TikTok trends, movies, wars, and star-crossed stories. It is steadily becoming a collection of human history; learning and growing alongside us. Art, too, is a reflection of society; it informs us of our history, our cultures, our desires and dreams. Thus, it is only fitting that AI has become a tool to create art. AI art is a contentious topic, many artists arguing against establishing its legitimacy, while those outside the art field view it as an interesting and fun way to create art. This study will expand upon earlier foundational research into AI art; the technological development of AI software, its introduction into the arts, and AI’s effect on the art market. This thesis will break down the key factors surrounding AI art’s controversy; authorship, ownership, and their effect on ethical AI production. This study will discuss replication, legislation pertaining to copyright, and political propaganda. The work of this thesis is crucial in understanding not only the effect AI has on art; what it is and who are artists, but in asking ourselves what does it mean to be human?

Department

Art History

Thesis Committee

Dr. Beatrice St. Laurent, Thesis Advisor
Dr. Jonathan Shirland, Committee Member
Dr. Sean H. McPherson, Committee Member

Copyright and Permissions

Original document was submitted as an Honors Program requirement. Copyright is held by the author.

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