This study looks into the identity of brown female artists living in the post-colonial society of the Islamic Republic of Pakistan today. It examines the role, status, and ideals of a handful of women artists and educators from the '80s, mostly members of the Women Action Forum, who have helped define the current identity of Pakistani women by initiating feminist debates. The concept of feminism in post-colonial society is multidimensional and needs to be explored to combat the misconstrued and imposed identity of Pakistani women as miserable, second-grade citizens of the third world. Dominant religions and cultural practices in this region designate woman to a distinct status in society. In Islam, women are seen as the followers of Fatima—the leader of all Muslim women in paradise—and are ranked amongst the greatest humans (Qutbuddin, 2006, 249) while Hinduism considers them as devis—divine beings (Pintchman, 2011). With this socio-cultural mind set and confirming the persuasive relationship between feminist aesthetics and feminist theory as proposed by Hilde Hein (1999), we analyse works of selected female artists and aim to understand the current wave of feminism here. The investigation adopts ethnographic methods of research along with established approaches to historiography that involve discussing, collecting, documenting, digitizing and analysing the information.
Kamran, Sadia P.
"Exploring Female Identity in and Through Art in Pakistan: Experiencing De-Colonial Feminism,"
Journal of International Women's Studies: Vol. 22:
3, Article 13.
Available at: https://vc.bridgew.edu/jiws/vol22/iss3/13