This essay applies Luce Irigaray’s theories of the speculum and subversive mimesis to Mary Wollstonecraft’s Vindication of the Rights of Woman. I argue that Wollstonecraft reveals the limitations of eighteenth-century femininity by using her text as a mirror that distorts and also reflects the image of womanhood at the men who have prescribed an idealised version of femininity. Anticipating Irigaray, Wollstonecraft exposes and undermines this male ideal through mimicry of the masculine position. I begin by assessing modern interpretations of Wollstonecraft’s feminism, her characterisation as a masculine writer and how this can be viewed as a deliberate feminist tactic on her part. I analyse the way in which she deliberately mimics male writers such as Edmund Burke and Jean-Jacques Rousseau before focusing on her specific use of the word beauty. I argue that in the Rights of Woman Wollstonecraft carefully chooses words that are closely connected to women in male discourse but also common in other topics of male interest such as botany and royalty. Through a process of associative organisation, surrounding the keyword ‘beauty’, Wollstonecraft repeatedly uses and mimics male discourse to subvert the logic and reveal the inconsistencies behind the insistence on a specific sort of femininity in the eighteenth century. I conclude that Wollstonecraft is seeking, through this technique, an eradication of sexual difference in the hope of re-invigorating an otherwise barren social system.
Garner, Naomi Jayne
"‘Seeing Through a Glass Darkly’: Wollstonecraft and the Confinements of Eighteenth-Century Femininity,"
Journal of International Women's Studies: Vol. 11:
3, Article 7.
Available at: https://vc.bridgew.edu/jiws/vol11/iss3/7