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Abstract

This study aims to explore the representation of flawed women characters in Studio Ghibli animated films, focusing on the themes of environmentalism, anti-war sentiments, and personal growth. Utilizing a qualitative approach and multimodal critical discourse analysis (MCDA), the research examines five selected films—Nausicaä of the Valley of the Wind, My Neighbor Totoro, Kiki’s Delivery Service, Princess Mononoke, and Spirited Away—with some additional attention to Howl’s Moving Castle. The analysis employs Fairclough’s three-dimensional model, visual grammar, and feminist film theory to scrutinize the visual and verbal elements used to represent these characters. The findings reveal that Studio Ghibli’s women protagonists are depicted with a balance of positive and negative traits, highlighting their complexity and realism. Themes of environmentalism are portrayed through the characters’ deep connections to nature and their roles in protecting it. Anti-war sentiments are explored through the critique of conflict and its moral complexities, emphasizing peace and moral integrity. Personal growth is depicted through the transformative journeys of young protagonists, showcasing resilience and self-discovery. These representations challenge traditional gender stereotypes and offer rich, multifaceted portrayals of women. The study underscores the significance of Studio Ghibli’s films in promoting nuanced character development and addressing profound social and ethical issues, contributing to a deeper understanding of gender, environment, and peace.

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