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Submissions from 2016

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Urban Preservation and Renewal: Designating the Historic Beacon Hill District in 1950s Boston, George Walter Born

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Radical (Dis)Identification: Santiago Sierra's Double(D) Spectator, Andres David Montenegro Rosero

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Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014, Jonathan Shirland

Submissions from 2015

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Shangaa: Art of Tanzania - QCC Art Gallery, City University of New York (CUNY) February 22-May 19, 2013; Portland Museum of Art, Maine June 8 - August 25, 2013 [Exhibition Review], Jonathan Shirland

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Designing Social Change: Inquiry-based Practice & Teaching, Donald Tarallo

Submissions from 2014

From Bursa to Jerusalem: From Yeşil Turbe to the Dome of the Rock, Beatrice St. Laurent

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[Review of the book The Byzantine-Islamic Transition in Palestine: An Archaeological Approach, by Gideon Avni], Beatrice St. Laurent

Archaeology & Preservation of Early Islamic Jerusalem: Revealing the 7th Century Mosque on the Haram Al-Sharif, Beatrice St. Laurent and Isam Awwad

Submissions from 2013

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'Enigmas So Occult That Oedipus Might Be Puzzled To Solve Them': Whistler, Spiritualism & Occulture in Late Victorian England, Jonathan Shirland

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The Marwani Musalla in Jerusalem: New Findings, Beatrice St. Laurent and Isam Awwad

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The Imperial Museum of Antiquities in Jerusalem, 1890-1930: An Alternative Narrative, Beatrice St. Laurent and Himmet Taskömür

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Designing Social Change: Inquiry-Based Teaching in Graphic Design, Donald Tarallo

Submissions from 2012

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From Combat to Campus, Margaret Bellafiore

Submissions from 2011

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'Embryonic Phantoms': Materiality, Marginality and Modernity in Whistler's Black Portraits, Jonathan Shirland

The Poetic Dimension: Reading Words and Reading Images, Donald Tarallo

Submissions from 2010

'A Campaign of Extermination': Walter Sickert and Modernism in London in 1914, Jonathan Shirland

Submissions from 2008

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Book Board Adhesive Binding, Leigh Craven